Category Archives: personal

M.A.D. Studios Feature

Snapshot 7 (1-3-2014 5-53 PM)Met some great poets and reunited with old friends at last night’s show. We took a few photographs recently posted on the Facebook page. I personally left very satisfied with my performance, was glad to showcase a more mature performing style that’s evolved over the past year. Unfortunately, the camera had some glitches, but here’s the bit of video we did manage to retrieve, which shows two great performances of two poems that appear on “Perfect Nights.” And then there’s almost all of “Perfect Nights” as well.

Although I would have loved videos of other poems, this could not be. Perhaps this is a good opportunity to perform these again in the near future.

Enjoy!

 

“Fork,” by Derek Berry

A performance at the King Dusko open mic about speech therapy and the importance of having a voice. Written a lot of new poems, fortunately, that will soon flow forth on the mic. Check them out as well as my forthcoming chapbook entitled Skinny Dipping with Strangers.

Leave thoughts below or on Youtube video.

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First Feature Success

1391638_239826529509783_738692741_nLast night, I performed my first feature poetry show in front of a healthy crowd of friends, middle schoolers, and talented strangers. Following the 30-minute performance came an open mic and poetry slam. Two close friends will be featuring next time.  Unfortunately, we got zero video from the performance last night, but here are some videos from the previous Wednesday at Boone’s Bar. As a bonus, I’ve included a video from back in 2012. ” More videos will be posted on the blog soon, and until then, one may find them on my Youtube channel.

Bonus video I found on Youtube of me performing poetry in the twelfth grade at a Graduation Party:

 

Hotel Diaries: Friday Afternoon

On Fridays, the small British hotel managerimages (32)

rides the elevator constantly holding a coffee

with creamer and two sugars,

and she says, “You know what tonight is?”

 

The afternoon maid shrugs,

equally aware that Friday has arrived,

but might be less excited because she

must work on Saturday.

 

“It’s date night,” said the British manager,

biting her lip and raising her eyebrow to

infer something almost certainly sexual.

“I’m going to get it on.”

This latest statement confirmed

she did indeed, mean to suggest sex.

 

The afternoon maid shrugs,

and we all enter the elevator together,

and ride in silence down to the lobby.

This One Time in Cienfuegos

800px-Street_in_Cienfuegos_(4482)Well, I remember this one time, I ate ants. They had been crawling in the bread, every day that we sat for breakfast on the back porch that overlooked a sad garden and a cracked paved street that followed the ocean. We could watch the sunset in the evening atop the house in ancient metal rocking chairs, and we could drink rum every night if we wanted.

During the first night in the new town, I did not touch the bread. I spat the bread onto my plate and wrapped the chewed bread in a napkin; ants crawled through the dry porous innards of the slices. By day four, I ate the ants—I could not be bothered by the extra protein, so small, squirmy black specks. I pressed the bread against the ceramic plates to suck up warm egg and then munch on the bread.

We could see the horizon from there, the sea crashing against the rocks, and lovers striding up and down the lines that divided the domestic from the wild.

 

“Halitus” by Derek Berry

A video of the first performance of the spoken word poem “Halitus.” I have performed it since, but there are no videos of that. I will upload one of those as well (because I’ll be performing this one again this coming Tuesday.)

A Conversation in the Cougar Mall: A Vignette

[Based on true events that happened today. A conversation.]

                He nodded at me. “Sure, used to be a cop. Dad was a cop. All my friends were too.” His legs were skinny, the muscles shrunk from disuse. He wore a beard hastily shaved, and I couldn’t guess his age, though he was older than most professors. For the past hour, we had been talking about his involvement in the War on Drugs as a police officer.

                “What was that like? I mean, what did you feel about what you did?”

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                “It was great, don’t get me wrong. Worked Interstate 95 right out of Camden, Georgia. What you have to understand is, the drug trade runs through there. My daddy—he was a sheriff. One time he stopped a car and got three million dollars for the department.”

                “Wait, why?”

                “Because it was drug money. Bought cars, uniforms, everything. For Camden officers, the War on Drugs is the best thing that ever happened. It gave us purpose, not to mention funding we’d never had before. Don’t look at me this way. It’s cocaine—we dealt mostly with cocaine.”

                I never caught his name, but we had been speaking for an hour about his life; he sat in a motorized wheelchair eating just the chicken from a Chick-fil-a sandwich. “Cocaine?” I asked, shifting my books from my lap. “I didn’t realize rural Georgia had a coke problem.”

                “Sure, they don’t. The local cops—they just bust people for marijuana, but me—cocaine.” I wanted to ask him if he had been injured in the line of duty, but that would be rude. “See, you understand, cocaine comes out of Miami. You can get Coke there with 90% purity, maybe a kilo for $25,000. So you drive up through Georgia on the way to New York, where coke is maybe 30% pure. So you cut that coke into three piles, mix it with meth, Adderall, sugar, what have you—you can imagine these drug runners made a shit ton of money.”

                “Sure, sure. And you think that’s okay? I mean, I don’t condone anyone taking cocaine, but what about the War on Drugs. Don’t you think the money is misspent?”

                “Federally? Sure. But in my department, it was the one thing still funding us. Pull over three cars a year—they may have a couple million each in them. Used to work with my father, and with one bust, he could afford patrol cars for the entire force. I’d say it’s worth it. I mean, I agree with you about marijauna. That should be legal, even though I’d never try it.”

                “Even in your condition.”

                “Well, you could get addicted.”

                “Addicted to marijuana?”

                “Sure. You see, now that’s it’s legal in some states, the THC levels are higher. So kids start smoking sooner, they develop physical addictions. You’ve heard about this?”

                “Yeah, actually. They keep making more and more potent weed, until it has become dangerous.” I nodded, then looked at his legs. “So, what happened?” I gestured broadly at the chair.

                He shrugged. “Car accident. Gotta tell you, only about three weeks after the accident, the seat belt was recalled. What do you expect? Korean company.”

                “Uh-huh. Well, that’s shitty. I’m sorry.”

                “Well, we went to court, reached a settlement. They gave me millions of dollars but—I mean, what the hell is that? Just throw money at me, but that doesn’t mean I’m not paralyzed from the waist down. Doesn’t change the fact I’m in a chair. Mind getting my smokes?”

                Rifling through the bag on the side, I found a pack of cigarettes and a lighter. I handed him the cigarettes and helped him light it, then sat back down. “That’s rough. Corporations—well, you know.”

                “I mean, the same thing is with marijuana. Even when I was a cop, I didn’t think having it illegal was wrong, but hell—now? Now that it’s becoming legal, it’s becoming dangerous. Not that I care that people smoke it—long as they don’t drive.”

                “Of course. Just like drinking.”

                He nodded, and before rolling away to class, he added, “You want to get them going south.”

                “The cocaine dealers?”

                “Sure. You get ‘em going south, you get millions of dollars, but going north, who cares? You bust them and all you can confiscate is piles of cocaine. What’s the use in that?”

Genre Crisis: “New Adult” Label

a_4x-horizontalNobody likes to be put into categories, most of all writers. But categories—or in the world of books, genres—are very helpful for marketing and selling a book. When querying publishing firms and literary agents, one must identify their genre, which helps the editors and agents decide whether the project will fall into their areas of interest. But recently, I’ve had an extremely difficult time placing my novel in a genre, which should be a good thing because agents seek works that cross several genres, except it seriously curtails one’s ability to market himself.

I could easily make up my own genre: Southern comedy transgressive? Meta-cultural southern teen exploration? Young adult, but not that young, but maybe still in their twenties who like funny but also serious writing?

The problem is, if the agent doesn’t recognize the genre, then she or he cannot place it right? I tried literary, but that

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can’t just say that: you need a better phrase.

brand is too broad. While my project has literary elements, it certainly could be explained more descriptively. I tried young adult, but this generally means the books is marketed for teens ages 12-15. My novel is marketed toward older teens and 20-somethings. It, like many New Adult novels, tracks the growth and development of young adults whose identities are forming, who are seriously changing.

So maybe your book is a noir space opera western with thriller-paced plotting, literary aesthetic, and occult elements? Well, you need a better way to say that, a shorter way.

As I’ve been e-mailing literary agents, literary magazines, and publishers, this question has plagued me constantly. Finally I found an age-group description “New Adult” with which to market the novel THE HEATHENS AND LIARS OF LICKSKILLET COUNTY. “New Adult” bridges the gap between the safe and young group of Young Adult (YA) readers and Adult fiction. But because my books deals with characters in between, I think this genre (a relatively new invention of words) is fitting.

Querying agents has so far not worked out, but I am still sending many, many emails all over the country (and the world!) to publish this novel, as well as poems and short stories.

Have you had trouble labeling a piece of work? What genre did you settle on?

Warning: May Contain Metaphors

I write a sonnet: iambic Tupac.

A rocket rented: let’s skip the sweet talk.

In the space the clouds are not even there,

Nothing can echo: not even prayer.

 

Calculate life spans: TI-83.

Death could come for you: I just hope not me.

Got a collection of glass bottles here—

Stocking up all week; stocking up all year.

 

Graveyard shift Arby’s: Roast Beef Sandwich please?

Hide my soul in grease: hide my heart in cheese.

Equilibrium of a black-singed penny

Insignificant if I owned any.

 

Feral ain’t the truth; I don’t have no proof.

Structure breeds the breath of Creation’s death.

Summer Publishing Haze

While summer serves as my one chance to sit down, breathe, and send out short stories to literary magazines, it also usually serves as a time for literary editors to take a break. I have been sending out short stories to various magazines that are still open, and 24 rejection letters later, I came to a realization I can’t actually publish short stories I’ve previously published on the blog. For that reason, I’ll be deleting the short stories I intend to send out.

Otherwise, I won’t be able to publish these stories. By the end of the day, I will have taken them down—sorry if you never got a chance to read them. Submerged and Memoir will continue to be on the blog, but Chicken Deluxe, Monster Theory, and Gartenswerg will be gone.

I have been working on various other short fiction pieces, which also face publication possibilities. Whenever I sniff the first inkling of success, I’ll be talking about it here on Word Salad. Until then, I will be working. I will be busy writing, editing, and submitting.

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