Category Archives: personal
Take some time to check out this online radio interview with Chris Pendergrast on his show “Echo Cast.” I talked with him for approximately 10 minutes about my inspiration for poetry, the process of writing poems, and the particulars of the poem “Fork,” which came from a story concerning my speech impediment.
I also discuss the “Fun Home” controversy, Roberto Jones’ haven for artists, the meaning of truth in poems, and upcoming projects.
Other artists are also featured, and you should listen to their music and interviews as well. To hear me, go to minute 40 and take a listen. I am very excited to have made connections on Soundcloud and have begun to find a wider audience for my spoken word poems. Enjoy and make sure to comment.
You can find the interview here:
Also, make sure to check out Chris’s music here: https://soundcloud.com/chris-pendergraft
And his art here: http://chrispendergraft.deviantart.com/
In late February, South Carolina Representative Garry Smith punished the College of Charleston for its choice of College Reads! book, which was Alison Bechdel’s tragi-comic Fun Home. Although the state’s funds did not actually fund the College Reads! Program, the state legislature chose to cut $52,000 in funding to the College. This caused quite the kerfluffle among CofC students, including myself, who began a series of protests against the legislature’s decisions. This coincided also with the appointment of Glenn McConnell as College president after a politically dubious search process. On Monday, we held another protest, as Fun Home the Musical came to Charleston. Having watched the show myself, I hope it great success and also hope that the play helps spread the message of how homophobia can destroy people’s lives.
I read the following poems at last Friday’s protests:
Several writers across the country have also spoken up about academic freedom, information for which you can find here: https://www.facebook.com/outloudsc
Find media on the protests and controversy here:
Met some great poets and reunited with old friends at last night’s show. We took a few photographs recently posted on the Facebook page. I personally left very satisfied with my performance, was glad to showcase a more mature performing style that’s evolved over the past year. Unfortunately, the camera had some glitches, but here’s the bit of video we did manage to retrieve, which shows two great performances of two poems that appear on “Perfect Nights.” And then there’s almost all of “Perfect Nights” as well.
Although I would have loved videos of other poems, this could not be. Perhaps this is a good opportunity to perform these again in the near future.
A performance at the King Dusko open mic about speech therapy and the importance of having a voice. Written a lot of new poems, fortunately, that will soon flow forth on the mic. Check them out as well as my forthcoming chapbook entitled Skinny Dipping with Strangers.
Leave thoughts below or on Youtube video.
Last night, I performed my first feature poetry show in front of a healthy crowd of friends, middle schoolers, and talented strangers. Following the 30-minute performance came an open mic and poetry slam. Two close friends will be featuring next time. Unfortunately, we got zero video from the performance last night, but here are some videos from the previous Wednesday at Boone’s Bar. As a bonus, I’ve included a video from back in 2012. ” More videos will be posted on the blog soon, and until then, one may find them on my Youtube channel.
Bonus video I found on Youtube of me performing poetry in the twelfth grade at a Graduation Party:
rides the elevator constantly holding a coffee
with creamer and two sugars,
and she says, “You know what tonight is?”
The afternoon maid shrugs,
equally aware that Friday has arrived,
but might be less excited because she
must work on Saturday.
“It’s date night,” said the British manager,
biting her lip and raising her eyebrow to
infer something almost certainly sexual.
“I’m going to get it on.”
This latest statement confirmed
she did indeed, mean to suggest sex.
The afternoon maid shrugs,
and we all enter the elevator together,
and ride in silence down to the lobby.
Well, I remember this one time, I ate ants. They had been crawling in the bread, every day that we sat for breakfast on the back porch that overlooked a sad garden and a cracked paved street that followed the ocean. We could watch the sunset in the evening atop the house in ancient metal rocking chairs, and we could drink rum every night if we wanted.
During the first night in the new town, I did not touch the bread. I spat the bread onto my plate and wrapped the chewed bread in a napkin; ants crawled through the dry porous innards of the slices. By day four, I ate the ants—I could not be bothered by the extra protein, so small, squirmy black specks. I pressed the bread against the ceramic plates to suck up warm egg and then munch on the bread.
We could see the horizon from there, the sea crashing against the rocks, and lovers striding up and down the lines that divided the domestic from the wild.
[Based on true events that happened today. A conversation.]
He nodded at me. “Sure, used to be a cop. Dad was a cop. All my friends were too.” His legs were skinny, the muscles shrunk from disuse. He wore a beard hastily shaved, and I couldn’t guess his age, though he was older than most professors. For the past hour, we had been talking about his involvement in the War on Drugs as a police officer.
“What was that like? I mean, what did you feel about what you did?”
“It was great, don’t get me wrong. Worked Interstate 95 right out of Camden, Georgia. What you have to understand is, the drug trade runs through there. My daddy—he was a sheriff. One time he stopped a car and got three million dollars for the department.”
“Because it was drug money. Bought cars, uniforms, everything. For Camden officers, the War on Drugs is the best thing that ever happened. It gave us purpose, not to mention funding we’d never had before. Don’t look at me this way. It’s cocaine—we dealt mostly with cocaine.”
I never caught his name, but we had been speaking for an hour about his life; he sat in a motorized wheelchair eating just the chicken from a Chick-fil-a sandwich. “Cocaine?” I asked, shifting my books from my lap. “I didn’t realize rural Georgia had a coke problem.”
“Sure, they don’t. The local cops—they just bust people for marijuana, but me—cocaine.” I wanted to ask him if he had been injured in the line of duty, but that would be rude. “See, you understand, cocaine comes out of Miami. You can get Coke there with 90% purity, maybe a kilo for $25,000. So you drive up through Georgia on the way to New York, where coke is maybe 30% pure. So you cut that coke into three piles, mix it with meth, Adderall, sugar, what have you—you can imagine these drug runners made a shit ton of money.”
“Sure, sure. And you think that’s okay? I mean, I don’t condone anyone taking cocaine, but what about the War on Drugs. Don’t you think the money is misspent?”
“Federally? Sure. But in my department, it was the one thing still funding us. Pull over three cars a year—they may have a couple million each in them. Used to work with my father, and with one bust, he could afford patrol cars for the entire force. I’d say it’s worth it. I mean, I agree with you about marijauna. That should be legal, even though I’d never try it.”
“Even in your condition.”
“Well, you could get addicted.”
“Addicted to marijuana?”
“Sure. You see, now that’s it’s legal in some states, the THC levels are higher. So kids start smoking sooner, they develop physical addictions. You’ve heard about this?”
“Yeah, actually. They keep making more and more potent weed, until it has become dangerous.” I nodded, then looked at his legs. “So, what happened?” I gestured broadly at the chair.
He shrugged. “Car accident. Gotta tell you, only about three weeks after the accident, the seat belt was recalled. What do you expect? Korean company.”
“Uh-huh. Well, that’s shitty. I’m sorry.”
“Well, we went to court, reached a settlement. They gave me millions of dollars but—I mean, what the hell is that? Just throw money at me, but that doesn’t mean I’m not paralyzed from the waist down. Doesn’t change the fact I’m in a chair. Mind getting my smokes?”
Rifling through the bag on the side, I found a pack of cigarettes and a lighter. I handed him the cigarettes and helped him light it, then sat back down. “That’s rough. Corporations—well, you know.”
“I mean, the same thing is with marijuana. Even when I was a cop, I didn’t think having it illegal was wrong, but hell—now? Now that it’s becoming legal, it’s becoming dangerous. Not that I care that people smoke it—long as they don’t drive.”
“Of course. Just like drinking.”
He nodded, and before rolling away to class, he added, “You want to get them going south.”
“The cocaine dealers?”
“Sure. You get ’em going south, you get millions of dollars, but going north, who cares? You bust them and all you can confiscate is piles of cocaine. What’s the use in that?”
Nobody likes to be put into categories, most of all writers. But categories—or in the world of books, genres—are very helpful for marketing and selling a book. When querying publishing firms and literary agents, one must identify their genre, which helps the editors and agents decide whether the project will fall into their areas of interest. But recently, I’ve had an extremely difficult time placing my novel in a genre, which should be a good thing because agents seek works that cross several genres, except it seriously curtails one’s ability to market himself.
I could easily make up my own genre: Southern comedy transgressive? Meta-cultural southern teen exploration? Young adult, but not that young, but maybe still in their twenties who like funny but also serious writing?
The problem is, if the agent doesn’t recognize the genre, then she or he cannot place it right? I tried literary, but that
can’t just say that: you need a better phrase.
brand is too broad. While my project has literary elements, it certainly could be explained more descriptively. I tried young adult, but this generally means the books is marketed for teens ages 12-15. My novel is marketed toward older teens and 20-somethings. It, like many New Adult novels, tracks the growth and development of young adults whose identities are forming, who are seriously changing.
So maybe your book is a noir space opera western with thriller-paced plotting, literary aesthetic, and occult elements? Well, you need a better way to say that, a shorter way.
As I’ve been e-mailing literary agents, literary magazines, and publishers, this question has plagued me constantly. Finally I found an age-group description “New Adult” with which to market the novel THE HEATHENS AND LIARS OF LICKSKILLET COUNTY. “New Adult” bridges the gap between the safe and young group of Young Adult (YA) readers and Adult fiction. But because my books deals with characters in between, I think this genre (a relatively new invention of words) is fitting.
Querying agents has so far not worked out, but I am still sending many, many emails all over the country (and the world!) to publish this novel, as well as poems and short stories.
Have you had trouble labeling a piece of work? What genre did you settle on?