I’m not sure what they’re calling my generation now—Generation Me, The Facebook Generation, The Slacker Generation, Millennial Generation, whatever. The diagnosis, no matter the given title, is clear: self-obsessed, self-entitled, bratty, morally weak, and eternally cynical. That about sums it up, the portrait painted by the other generations about our generation—courtesy of Generation X and the Baby Boomers (which sounds, to be frank, like twin circus rocket-men stuck in the bodies of infants). When we hear the criticisms arraigned against us, we often retaliate—this was your fault, anyways; you’re generalizing; blah, blah, let me Tweet about this.
When it comes to the current generation of writers, however (let’s say 15-25 years old), perhaps these modifiers are correct. Perhaps too are these modifiers useful. We are a generation that passed through adolescence with access to Tumblr. We can talk incessantly about ourselves on Twitter, update each grueling low and ecstatic high of our relationships on Facebook, and upload videos of ourselves talking to ourselves on Youtube. We mastered the act of the confessional in the sixth grade, learned to craft personal narratives in under 140 characters. In other words, our tendency to be solipsistic, to express the world through our particular lenses, allows us also to be some of the greatest marketers in the writing world.
Even now, I am only writing this blog in hopes you might become curious about me as a person; so invested, perhaps you will read about my book and later buy my book, and so invested, you will buy every book I ever publish.
See what I just did? Self-marketing. We were born for it. Ain’t no shame or self-awareness for us, no, we grew up writing essays about our feelings in secret AOL chat rooms.
The strange phenomenon of being a “modern writer” is the new wave of marketing techniques, namely writing blogs and tweets and Facebook statuses. Did you know that some writers keep a schedule of the tweets they’re going to send out? I would also totally do that if I were more organized, though it’s a hubris we can pass off as generational, right? The days of locking yourself away in a log cabin to clack out a masterpiece on a rusty typewriter are long over—we’re the generation of Microsoft Word, the generation of the #amwriting hashtag, the generation of getting paid to muse about celebrities online and create lists for, seriously, literally anything.
The internet for the writer offers both an incredible resource and a black hole of time-wasting activities. On the one hand, we can access research materials faster than you can mutter Google, we can connect with other writers via Twitter and complain about all the work we’re not doing, we can save money on query letters with the advent of email, and we can read purchase almost any book with a few mouse clicks; on the other hand, we can waste oodles of time on social media sites and reading Lists of The Cutest Quokas.
But perhaps most significantly, we can blog. WordPress recently alerted me that I had been blogging on Word Salad for four years, and while I’ve experienced an extreme downtown in readership, I have continued to write about the writing life, about movies, about my travels, and at times about cats. There exists a special danger to blogging—over-sharing. At what point does the humorous confessional become the admittance to childish activities? I have been reading writers’ blogs for many years, especially those with whom I am contemporaries, and there exists a trend of sharing what could be potentially harmful to the writer or to the writer’s acquaintance.
Of course, some stories shared on the internet could be shared for the sake of hilarity. Sexual encounters, drug use, and petty theft have become a hot topic for blog-writers. But if one writes these essays, these articles, and these blogs with the hope of one day becoming a writer and then fails to become a writer, where does that place the context of what the writer has written? What will future employers think while reading about you at age seventeen, stealing cigarettes from the gas station?
Maybe there are actions the Internet should not know about, spurring articles like 10 Disgusting Habits I Formed While Living on My Own, The True Reason I Will Never Find Intimate Love Is That I’m Selfish, or Seventeen Slurs Not to Call Someone Interviewing You for a Job. Maybe file these under, things the world should never hear; or maybe file them under, The Internet Is a Great Therapist But Only Until Trolls Begin Berating You and Sending Death Threats.
To write about oneself is a balancing act. While we want audiences to believe we are relatable, that we are human, we wish also not to come across as unemployable.
The true question to pose: am I writing for an audience at all or only for myself? Am I writing to entertain or to create “buzz?” And if I take the focus away from myself, if I reject the paradigm of the Me Generation, if I abandon the internet in hopes of writing “pure prose” and “technologically-unadulterated poetry,” then why am I writing in the first place?
There must exist a love of self or at least an analysis of self (which is an important step toward love-of-self) before a writer may write about themselves. This isn’t a memoir. It’s a blog. This isn’t a bookstore or a job interview. It’s the Internet. The anarchic no-rules-ever, blog-with-aesthetic Internet. If you didn’t come to read about someone talking about themselves, why are you even here?